Le Chant des ruines will be on tour at Chaillot, Théâtre de la danse in Paris from March 3, 4, 5, at DNS-Dieppe Scène Nationale on March 16, at Théâtre des Quatre Saisons in Gradignan on March 19 and at L’Estive, Scène Nationale de Foix and de l’Ariège on March 23.
November 20, 21, 22 - Théâtre de Liège / The choreographer participates in the international jury which will award the winning project of this second edition of the Dansathon. This event is co-organized by the Maison de la Danse in Lyon, Sadler’s Wells in London and the Théâtre de Liège. 48 participants will be provided with resources, technological tools and spaces to compete and try to win a grant of € 20,000 awarded by the BNP Paribas Foundation > Infos
Friday December 4, 2020 at 8 p.m (duration 2h30) / Arkadia is offering a unique tour of the Solvay Hotel, one of the most prestigious Art Nouveau mansions in Brussels built by Victor Horta. Program: A performance danced by Michèle Noiret accompanied by clarinetist Jean-Louis Marchand and tour guide from Arkadia, specialist in the history of Hôtel Solvay (FR & EN) / Drink with the artists > Infos & booking
The documentary "Michèle Noiret à contrechamp" by Tanguy Cortier and Alice Gorissen will be broadcast this Monday, July 6 at 11:15 p.m. on La Trois / RTBF and free access on Auvio throughout the summer. "A portrait where one feels the requirement, the lucidity about herself and also the love for this father, Joseph, member of the Cobra group, dearly cherished." Christian Jade
> Watch : https://www.rtbf.be/auvio/
Le Chant des ruines has been presented from February 18 to 22, 2020 at the Théâtre National in Brussels. Back to the press.
"A surprising piece whose strength is due to its breaking of rhythms, which introduce into this grim vision moments of exquisite dance and welcome short humorous sequences." Le Soir
"With simple means and an inventive use of imaging technology, Michèle Noiret provides an X-ray image of our time, lucid, but in which hope remains." Le Vif
“Michèle Noiret revitalises her vocabulary, without renouncing her creative identity. The performance orchestrated here by the choreographer ventures a lighter immediacy in metaphor.” La Libre Belgique