Performances
Palimpseste Solo/Duo
September 2016

Choreographed and danced by Michèle Noiret in 1997, Solo Stockhausen continues its journey. Adapted for the cinema by Thierry Knauff in 2004, it was reinvented in 2014 under the name Palimpseste. This solo will be subject to a particular collaboration with the dancer and choreographer David Drouard : it will be the start of a new palimpseste. Creation in September 2016 at Théâtre National de Chaillot.

 

Chambre d'écoute
January 2016

Creation on 25 and 26 January 2016 for le Jeune ballet du Conservatoire National Supérieur Musique et Danse de Lyon.

 

L'Escalier Rouge
February 2016

Two individuals try to escape from this world, in which mass surveillance is part of an oppressive machine that carries within it the seed of all totalitarianism, and find a few moments of intimacy and freedom for themselves. This short performance was created in February 2016 at Théâtre National, Brussels.

Radioscopies
March 2015

After Hors-champ (2013), Michèle Noiret and her team are continuing their research into dance-cinema, with thie "stage short-film" Radioscopies which was created in the frame of Mons 2015, European capital of culture, and the International Festival Via.

 

Palimpseste Solo
May 2014

Michèle Noiret has chosen to revisit Solo Stockhausen, an important piece in her repertoire, first performed in 1997 and adapted for the cinema by filmmaker Thierry Knauff as Solo in 2004.

 

Carte de visite
March 2014

Michèle Noiret plays with her own image and takes us along on an unexpected voyage, made with a certain detachment through the use of allusions, real emotion and a certain pleasurable playfulness.

Hors-champ
April 2013
The major theme of the project is based on the following: "a hallucinatory reality?". Ever more precise connections will be woven between performing arts, choreography in particular, and the filmed image. The première took place at the Théâtre National in Brussels in April 2013, ahead of the French première at the Théâtre National de Chaillot in Paris in May 2013.

Hôtel Folia
May 2011

Commission by Frédéric Flamand, director of the Ballet National de Marseille. Creation for 10 dancers of the Ballet on 6 and 7 May 2011 at the Opéra de Marseille. Punctuated by the completely contrasting rhythm of a choreographic composition, the piece is put together through the simultaneous and collaborative investigations. Worlds are concocted from pictures taken on the spot or pre-recorded, creating a universe where speed rubs shoulders with immobility. Worlds enigmatic, intimate, fragile or violent, but always profoundly human.

Minutes opportunes
November 2010

This performance which brings together four dancers has been created  from 23 November to 4 December 2010 at Théâtre National in Brussels.

La primultime rencontre
July 2010

Commission by Bernard Foccroulle, director of the Festival d'Aix-en-Provence. Choreographic solo created and danced by Michèle Noiret,  as a prologue to the opera Un retour by Oscar Strasnoy.

DEMAIN
March 2009

The multiform choreographic piece for four assistants, one cameraman and one dancer has been premiered at Théâtre National in Brussels on 24-28 March 2009. Michèle Noiret loans out her body to a character gripped by the unacceptable in the world. DEMAIN has been awarded the Theatre-Dance critics prize of the French Community of Belgium for the best dance performance of the 2008/2009 season.


De deux points de vue
Michèle Noiret/ CCN - Ballet de Lorraine
December 2007

Michèle Noiret, Todor Todoroff and Fred Vaillant press on, in De deux points de vue, with their investigation of the potential complementary relationship between movement, sound and image. Two dancers from Ballet de Lorraine interpret a duo incorporating various systems for capturing movement.


Les Arpenteurs

May 2007

Chambre blanche
April 2006


Les familiers
du labyrinthe

February 2005

Territoires intimes
March 2004
This performance is loosely based on Virginia Woolf’s novel “The Waves”. Six human beings, six interior monologues whose solitary curves meet and intermingle. The lighting, projected images and soundscapes intensify each character’s innermost feelings and diffract them to multiply the echoes of their presence.

Sait-on jamais?
May 2003
Mes jours et mes nuits
April 2002
In the piece, Michèle Noiret continually interacts with her multimedia environment. She is as much a real and tangible presence as a character from a dream, a ghostly trace, an echo.
Twelve Seasons
May 2001
In Between
March 2000

Work for 4 dancers including the choreographer, the video-architect Paolo Atzori and the engineer-composer Todor Todoroff. A reflection upon the concept of the imaginary with an interactive approach to new sound and image technologies.

En Jeu
May 1998

Work for 6 dancers. Todor Todoroff's original score serves to broaden the investigation into the spatialisation and interaction of sound in relation to the choreographic structure.

Hisolo
December 1997

Solo for the Spanish dancer Emilio Gutiérrez, who performed in Les Plis de la Nuit.


S
olo Stockhausen
September 1997


Solo created and interpreted by Michèle Noiret on Tierkreis, a music of the German composer Karlheinz Stockhausen.



Les Plis de la nuit
April 1996

Piece for 5 dancers exploring the use of film on stage, inspired by the works of the Belgian engraver Maurice Pasternak.

 

Tollund
1994

Duet performed by Michèle Noiret and Bud Blumenthal. Music composed by the American, Garrett List, who performed it live with a trio of musicians.

 

Langage Secret
April 1994

In collaboration with Akarova. A one-off performance at La Biennale de Charleroi/Danses.

 

Avna
March 1993

Duet performed by Michèle Noiret and Karine Ponties.

 

L'Espace Oblique
March 1991

Work for 4 dancers, inspired by a text by Joseph Noiret and by drawings by Wilfried Wiegand, with a complex and mobile stage design.

 

Louisiana Breakfast
March 1990

Duet created and performed with Bud Blumenthal.

 

Vertèbre
1989

Solo created and danced by Michèle Noiret. A faceless silhouette so to give more depth to the detail of gesture and to the metamorphoses of the body.

La Crevêche
June 1986

Solo inspired by a text by her father, Joseph Noiret, “Histoires Naturelles de la Crevêche”. Followed-up as a duet, created and performed with Jean-Christian Chalon.

 

 

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